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This dude created an Artificial Intelligence video “interviewing” people from the 1500s and it’s hilarious.....

Artificial intelligence 6 5 25

Cowboy State Daily is Wyoming’s largest newspaper with Wyoming’s most experienced journalists. 

<title>Today In Artificial Intelligence: Thursday, June 5, 2025 | Cowboy State Daily</title>

Today In Artificial Intelligence: Thursday, June 5, 2025

 This dude created an Artificial Intelligence video “interviewing” people from the 1500s and it’s hilarious.....

Jen kocher

Jen Kocher

Crime & Courts

Law Enforcement

Lt. Doug Fisher had been about a week away from flying to Wisconsin to arrest Roger Durkee when he got the news: Durkee was dead.

The cat-and-mouse game Durkee had been playing with Elko County Sheriff’s Office (ECSO) detectives for the past few years was officially over.

[{"type":"text","text":"Fisher called the news bittersweet."}]

He and ECSO Det. Alex Cox had been looking forward to finally putting the cuffs on Durkee, who had spent 32 years eluding authorities after allegedly murdering an unidentified woman and dumping her nude body at a remote desert exit off Interstate 80 in Nevada.

but both officers agree that identifying Durkee’s victim 

For decades, she was known only as “Shafter Jane Doe,” named for the highway exit where she was found in November 1993.

detectives finally identified her as Marion Hertha Alexander

, a 25-year-old German immigrant who had been living in Salt Lake City, Utah, when she crossed paths with Durkee.

The woman also had spent seven months in Afton, Wyoming, shortly before she was killed, which was determined in 2010 via a breakthrough isotope testing procedure. 

[{"type":"text","marks":[{"type":"bold"}],"text":"Family Devastated"}]

[{"type":"text","text":"Alexander’s mother was devastated, Fisher said."}]

He and Cox had driven to her California home in January to tell her in person. She had met her husband, a

She married him and returned to California with him and her children in 1972.

Alexander left home in her late teens — a free spirit, her mother told detectives, who drifted and grew distant from the family.

They had not known she was missing and were devastated 

Her mother is now working with the sheriff’s office to finalize the inscription on a new headstone 

 paid for by the Elko County Commissioners.

[{"type":"text","text":"After more than three decades, they finally has the answer."}]

[{"type":"text","text":"“We want to make sure we finally get Mary laid to rest,” Fisher said."}]

[{"type":"text","marks":[{"type":"bold"}],"text":"Little To Go On At First"}]

Many detectives have worked on Alexander’s case over the years. It was not their only cold case, Fisher said.

Along with Alexander, there are five other unidentified people in Elko County dating back to 1972, according to the National Missing and Unidentified Persons System (NamUs).

[{"type":"text","text":"At first, they had little to go on."}]

When Alexander’s body was discovered about a week after she was killed, it was already badly decomposed.  

She’d been shot in the chest and the back with a small

caliber firearm and had been severely beaten in the face.

There was little to no evidence left at the scene, leaving authorities to believe she’d been killed elsewhere and dumped afterward.

Apart from a partial right thumbprint that had no match in federal databases, detectives had little to go on. The only other identifiers were a tooth that was in the process of getting a root canal and a 2-by-4-inch burn scar or birthmark on her right calf.

To draw attention to the case, detectives reached out to the national media and also held a funeral for her.

Her story initially gained traction after it was picked up by the 

news program “Hard Copy.” but it ultimately yielded no results.

The sheriff’s office took advantage of technological advancements over the years, including having a forensic facial reconstruction done as well as stable isotope ratio analysis of a hair follicle that linked her to Afton, Wyoming, where it was suspected she’d spent the last seven months of her life.

Oddly, this was one detail that the detectives couldn’t track down upon finally learning her identity.

They found addresses for her in California, Oregon, Utah and southern Nevada, but nothing in Wyoming.

In fact, at the time of her murder, she had been living in downtown Salt Lake City near Durkee, Fisher said.

[{"type":"text","marks":[{"type":"bold"}],"text":"Overlooked Evidence"}]

The biggest break in the case happened in April 2019 when detectives took a new look at existing evidence and realized they had DNA on a vaginal swab for both the victim and perpetrator.

It’s not clear how this evidence went overlooked for so long, Fisher said, but it appears to have been the result of a miscommunication between detectives and the crime lab.

still needed to figure out to whom they belonged.

Neither was found in the Combined DNA Index System (CODIS) or on genetic DNA databases, still leaving them with no answers, so they kept pulling threads, Fisher said.

approved a $10,000 expenditure that allowed the sheriff’s office to contract with Identifiers International for a forensic genetic 

This led investigators to Durkee in Milwaukee, Wisconsin, who reached out to the FBI for help identifying him.

The FBI agents procured some items from Durkee’s trash and determined that profile could not be excluded from the one taken from the swab.

“Not being excluded” is as close as law enforcement and science can legally get to saying it’s a likely match.

[{"type":"text","text":"“That was a good indication that this is our guy,” Fisher said."}]

[{"type":"text","text":"Still, Alexander’s identity remained a mystery at that point."}]

[{"type":"text","marks":[{"type":"bold"}],"text":"Closing In On A Killer"}]

Even with Durkee’s identity as Alexander’s killer likely confirmed, it was not enough to collar him for the murder.

All it proved, Cox noted, is that the two had been intimate, but not that he killed her.

[{"type":"text","text":"So they kept digging, Fisher said."}]

In doing so, they learned Durkee moved quite a bit during the 1990s and early 2000s while working 

. This included stints in Nevada, Idaho and Colorado and Salt Lake City.

They also learned he’d been arrested for third-degree sexual assault in Wisconsin in 1978.

Along with moving frequently during this period, Durkee also changed his name, assuming aliases of James W. Kenedy and Carrol T. Hiel.

why he changed his name, he told detectives it was during a time in which he’d made bad decisions in his life and didn’t care to be known by his real name.

Then Fisher and Cox flew out to Wisconsin for the first of three interviews with Durkee in Milwaukee beginning in August 2024.

[{"type":"text","marks":[{"type":"bold"}],"text":"Pulling Out Teeth"}]

A couple things struck the detectives about Durkee during that first meeting. For starters, he was toothless.

This is because he’d pulled out all of his teeth over the years by himself, Durkee told them. With pliers.

[{"type":"text","text":"“That was a first for me,” Cox said."}]

[{"type":"text","text":"Fisher agreed."}]

“We’ve done thousands of interviews, and I can tell you that is the first time I ever heard anybody tell me they pulled out their own teeth,” Fisher said, wondering if it would have been 27 or 28 total 

Another thing that struck the detectives as odd is that Durkee had a collection of Faraday bags and cages, which are used to block electromagnetic fields and wireless signals.

“They’re used by law enforcement primarily when we take a suspect’s phone, so it can be protected for forensic analysis, but you don’t normally see these types of things in someone’s home,” Fisher said. “It was shocking.”

[{"type":"text","marks":[{"type":"bold"}],"text":"More Conversations With Durkee"}]

During this initial conversation, when asked about his potential connection to the still unknown Jane Doe who’d been murdered 

in Elko, Durkee shared that he remembered giving a .380 pistol to a woman named “Mary.”

the caliber of the pistol used to kill her.

During his second meeting with detectives 

pistol, Durkee recalled having “intimate relations” with a woman named “Mary Alexander” or “Mary Washington” on Halloween.

Later, when detectives learned Alexander’s name, they’d wondered if that was guilt talking or if Durkee was trying to give them a clue.

He didn’t kill “Mary” that night, however, Durkee told detectives, claiming to have instead dropped her off at a blue house in Salt Lake City and never 

“He sure knew a lot of obscure details about the case, though,” Cox said.

Durkee knew both about Alexander’s tooth that had been in the process of having a root canal as well as the isotopes in her hair that had traced her to Wyoming.

He claimed this was because he was a true crime buff, Fisher said, which forensic evidence would prove turned out not to be true.

[{"type":"text","marks":[{"type":"bold"}],"text":"Catching A Killer"}]

It was their third conversation with Durkee that convinced both detectives they had the right guy.

Prior to their trip out, they wanted to stir Durkee up and asked local Milwaukee detectives to pay him a visit under the ruse of questioning him about a local missing woman.

Durkee knew about the woman and also knew that she had already been found. He found that odd, he later told the Elko detectives, and wondered why the local cops weren’t better at their jobs.

[{"type":"text","text":"“He always had to be the smartest guy in the room,” Fisher said."}]

But the ruse worked in that it clearly worried Durkee that investigators were closing in on him, prompting him to do 90 internet searches of some derivative of “Shafter Jane Doe” over the course of two days as they later discovered when they procured warrants for his digital devices.

For Fisher, that was the final piece of the puzzle in a rapidly 

He figured they had enough — along with the DNA — to make 

“I don’t think you would be able to explain 90 spontaneous searches after two detectives are asking about a completely unrelated missing woman,” Fisher said.

[{"type":"text","marks":[{"type":"bold"}],"text":"Too Late"}]

However, as Fisher, Cox and Det. Sgt. Crystal Cox made their travel plans to go to Wisconsin to arrest Durkee, they learned he was already dead.

Durkee died at age 77 after having multiple strokes over a period of days that led to cardiac arrest.

Due to some glitch in the Wisconsin Vital Statistics Department, Durkee’s death was not immediately reported, so it took months for the news to make it to Elko County.

This shocked investigators because every indication in their databases showed he was still alive.

And though their seven-year investigation did not ultimately lead to an arrest, the detectives were happy to finally identify both Alexander and her probable killer.

“That was our first goal to finally answer the question ‘Who Am I?,’” Fisher said.

[{"type":"text","marks":[{"type":"bold"}],"text":"Identifying Alexander"}]

It took about a month to track down Alexander’s family after learning her name.

She was initially identified through enhanced FBI latent fingerprint comparisons that led the detectives to her birth certificate that listed her as a "white American."

Fisher had never seen that distinction and learned it was because Alexander had been born in Germany.

Her mother married a serviceman who adopted Alexander before moving them to the United States in the early 1970s.

Alexander had been issued a Consular Report of Birth Abroad, which a person receives when one of their parents is a U.S. citizen.

With the help of a genealogist, Fisher and Cox were able to track down Alexander’s mother in California, who learned that her daughter was dead.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"“She was devastated,” Fisher said."}]

Alexander had been estranged from her family, who had no idea she’d been unidentified for all these decades. A DNA test confirmed Alexander was indeed her daughter.

There was a lot of emotion, Fisher recalled, when they were finally able to give her a name and finally put her to rest.

Cold case 6 14 26

<title>After 32 Years, Suspected ‘Shafter Jane Doe’ Killer Avoided Justice By Dying | Cowboy State Daily</title>

A detective was about to fly to Wisconsin to arrest the lead suspect in the 32-year cold case of a woman whose nude body was dumped along I-80 when he got the news the suspect was dead. The woman's time in Wyoming led to the breakthrough in the case.

After 32 Years, Suspected ‘Shafter Jane Doe’ Killer Avoided Justice By Dying

Headshot of Cowboy State Daily's Feature Reporter, Andrew Rossi.

Andrew Rossi

Wyoming Life

Around Wyoming

[{"type":"text","text":"American artist Edward T. Grigware is renowned for his murals. "}]

By the time he died in Cody in 1960, his work was featured in banks, hospitals, and Church of Jesus Christ of Latter-day Saints (LDS) chapels from Chicago to Los Angeles and as far as Hawaii.

Grigware’s most celebrated Wyoming mural depicting the history of the LDS church is on display in the Historic Cody Mural and Museum. 

It’s an excellent example of the painter’s commitment to realism in an age when the trendiest art was increasingly abstract.

However, there’s one painting in Grigware’s portfolio that’s full of realism — but a lot cheekier than anything else he ever did.

“Bottoms Up,” his 1940s painting of four curvaceous cowgirls wearing nothing by chaps from the waist down showing their bare bottoms, is Grigware’s only nude.

“It certainly made going into the lounge at the Holiday Inn worthwhile,” said Mack Frost, digital technician at the McCracken Research Library at the Buffalo Bill Center of the West. “It was quite the topic of conversation.”

The painting is no longer hanging in the Holiday Inn and hasn’t been seen in years, which now has turned the conversation to whatever happened to “Bottoms Up?"

[{"type":"text","marks":[{"type":"bold"}],"text":"Accomplished Artist"}]

Grigware was already an accomplished artist when he moved to Cody in 1936. 

He got his education at the Chicago Academy of Fine Arts, and his work had been exhibited at the Art Institute of Chicago when he was wooed out to Wyoming by Mary Allen Jester, one of the founders of the Buffalo Bill Museum, now the Buffalo Bill Center of the West.

Initially skeptical of living in Wyoming, Grigware quickly came to love the state's landscapes and lived the rest of his life in Cody. 

During that time, he was commissioned to do several murals in Cody and elsewhere.

“He did murals at the Cody Masonic Temple, the old Cody hospital, and the Cody Mural Chapel,” Frost said. “He wasn't a combat artist, but he replicated many of the naval battles that occurred during World War II.”

Grigware spent most of the 1940s working on commissions from the U.S. Navy, which were used for posters and other promotional material. 

In the late 1940s, the LDS Church commissioned him to paint a 360-degree mural depicting the church’s history in the 36-foot-wide, 18-foot-tall rotunda of its then-new Cody chapel. The finished mural was unveiled in 1951. 

, Grigware spent a year researching the church’s history, as he was not a member, and painted the mural on pure Irish linen, “the choicest of artists’ canvas,” which was hard to come by at the time.

[{"type":"text","text":"“It's pretty fantastic,” Frost said."}]

It was around this time as well in the mid-to-late 1940s that Grigware finished an entirely different kind of commission.

[{"type":"text","text":"His work went from sacred to what some would consider sacrilegious."}]

[{"type":"text","marks":[{"type":"bold"}],"text":"Getting To The Bottom Of It"}]

The story of how “Bottoms Up” came to be is tricky to piece together. There are several accounts of dubious origin sharing those details.

, “Bottoms Up” was commissioned by “a wealthy Denver-area oilman.” He wanted Grigware to create an alluring painting of a Cody woman who was allegedly his mistress.

Cody historian Bob Richard could verify some of that information, while acknowledging there’s more fiction than fact in most accounts.

[{"type":"text","text":"“Several stories about that painting abound,” he said."}]

One thing he could confirm was that the model for “Bottoms Up” was, indeed, a Cody woman.

Dorothy “Dot” Morris managed the Lazy Bar H Ranch, now the Bill Cody Ranch, between Cody and Yellowstone National Park with her husband, Leonard.

“She was very beautiful and partied a lot with Leonard and other Cody families,” Richard said. “When Leonard took guests to fish for mackinaw, Dot was always there.”

Richard said Morris probably connected with Grigware through the Frontier School of Western Art, a short-lived complex of log cabin studios that drew Grigware and other artists to Cody between 1936 and 1941.

Technically, there’s only one cowgirl in “Bottoms Up.” All four women were modeled by Morris, posed and painted by Grigware four different times.

The final painting is of four cowgirls on a wooden fence, fully clothed in Western attire except for their bare derrieres.

The cowgirls are basking in the warm sun with the familiar silhouette of Heart Mountain in the distance.

The original painting had a pine pole frame made by another legendary Cody artist, Thomas Molesworth. It was delivered to its patron, who hung it in his home in Denver.

“I think the painting was done in the mid-1940s, after the end of the war,” Richard said. “But, to the best of my knowledge, I don’t think Dot was anyone’s mistress.”

[{"type":"text","marks":[{"type":"bold"}],"text":"Bottoms Back"}]

“Bottoms Up” was eventually acquired by Quintin Blair, a renowned Cody businessman who brought the painting back to where it was created.

Blair served with the U.S. Navy in the Pacific Theatre of World War II, so it’s possible some of the battles Blair fought were painted by Grigware.

Blair went on to own several drug stores in Cody, managed the Pahaska Tepee Resort and Buffalo Bill Village, and established Quin Blair Enterprises, now Blair Hotels, which built the Holiday Inns in Cody, Laramie, and Riverton.

Blair was also a patron of the arts. There was no better example of that than his family home.

The Quintin Blair House, Wyoming’s only building by Frank Lloyd Wright, was built for the Blair family. 

Before his death in 2013, Blair was the only living person to have continuously resided in a home designed and built by the famous architect.

Blair was also friends with Grigware and the Denver patron who commissioned “Bottoms Up.” When the patron died, his wife sold the painting to Blair.

According to legend, Blair acquired the painting for $1, with some caveats. The patron's wife wanted the painting publicly displayed in Cody as a slight to “the model,” meaning Morris.

In that story, Morris and her husband moved to San Diego, California, in the 1960s, out of embarrassment that Morris’s bare bottom had returned to Cody.

[{"type":"text","text":"Richard has a much simpler explanation for the move."}]

“Dot and Leonard moved away for no other reason than Leonard retired and sold the ranch,” he said.

[{"type":"text","marks":[{"type":"bold"}],"text":"Fact And Fiction"}]

Since the history of “Bottoms Up” is so intertwined with the Blair family, it's the best source of factual information on the painting.

Ted Blair is the CEO of Blair Hotels and Quintin Blair’s son. Like Richard, he’s amazed by the number of stories circulating around “Bottoms Up.”

“Most of what people have heard about it is made-up,” he told Cowboy State Daily. “The number of rumors, stories, and lies about that painting is unbelievable.”

Blair confirmed the core history. “Bottoms Up” was painted by Grigware in the 1940s, with Morris modeling, for a Denver patron whose wife hated it.

“It hung behind red velvet curtains in the bar of their home,” he said. “When he'd have friends over, he'd open the curtains up. When there was nobody there, the curtains were closed, because his wife hated the painting.”

Quintin Blair bought the painting from the man’s widow, but there were no caveats with the purchase.

“Thomas Molesworth's son called my father and said, ‘Remember that nude of Grigware’s? It's for sale.’ My father got a hold of it, and that's how it ended up in Cody again,” he said.

Blair confirmed that his father didn’t acquire and display the painting out of obligation or spite.

“He knew Grigware, he knew the painting, and thought it was fun,” he said.

[{"type":"text","marks":[{"type":"bold"}],"text":"Hanging Out"}]

When Blair opened Cody’s Holiday Inn in 1972, “Bottoms Up” was prominently placed in the hotel’s bar, the Daisy Bell Saloon. 

It would later be known as the Bottoms Up Lounge, where the painting was the centerpiece for decades.

Thousands of people dropped by to appreciate the painting, for various reasons. Even Holiday Inn capitalized on it.

[{"type":"text","text":"“They were selling posters of it at one point,” Richard said."}]

The painting made its way onto T-shirts, coffee mugs, postcards, and posters, eagerly acquired by fans of Grigware’s unique piece.

Frost was one of many Cody residents who regularly saw “Bottoms Up” when it hung in the Bottoms Up Lounge. He likened it to the famous pinup girls painted by Alberto Vargas.

[{"type":"text","text":"“It was very Vargasesque,” he said."}]

It’s a notable departure in Grigware’s extensive body of work. According to a blog post about the history of “Bottoms Up” from August 2009, Grigware accepted the commission as his one and only “tasteful nude.”

“It’s the only nude he ever did, as far as I’m aware,” Blair said.

However, tasteful or not, “Bottoms Up” was eventually deemed too distasteful for the public.

[{"type":"text","marks":[{"type":"bold"}],"text":"Too Much On Display"}]

When Cody’s Holiday Inn completed its most recent renovation, “Bottoms Up” was gone.

“It was in the lounge until a couple of years ago,” Frost said. “I don't know why they took it down. Maybe the Blairs decided that it was no longer relevant, maybe somebody complained about it.”

Richard thought the unique painting was removed at the request of Holiday Inn. Most chain-branded hotels have specific guidelines regarding what artwork can be displayed. 

Quintin Blair was, allegedly, granted a dispensation to display “Bottoms Up” because of its provenance and association with Grigware.

“I think their management decided it was unacceptable, so it was taken down,” he said.

Ted Blair was happy to set the record straight. The painting was taken down because it would have been too visible.

“When we turned the lounge into an open area of the dining room, children would have been able to see it,” he said. “That’s when and why we pulled it down. That’s the decision I made.”

[{"type":"text","marks":[{"type":"bold"}],"text":"Heirloom Or Museum Piece?"}]

As for its current whereabouts, Ted Blair confirmed that “Bottoms Up” still exists.

“I have it where nobody will know where it's at,” he said. “There’s a lot more to it than people realize."

Blair also has photos of Morris, who seemed to be even more free-spirited than her painted bottom in quadruplicate would suggest.

“There was a photography club in Cody that did nude photos of women (around that time), so I have photos, including nude photos, of the lady,” he said.

Many people, then and now, would say such a unique painting should be in a museum, such as the Whitney Western Art Museum at the Buffalo Bill Center of the West. 

Whatever happened to the racy painting titled “Bottoms Up" that hung for decades in the Cody Holiday Inn hotel? "The number of rumors, stories, and lies about that painting is unbelievable,” said its owner, adding it’s “where nobody will know where it's at.”

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