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[{"type":"text","text":"And now let's all watch a bunny eating an orange...."}]

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Cowboy State Daily is Wyoming’s largest newspaper with Wyoming’s most experienced journalists. 

<title>Daily Smile: Sunday, February 11, 2024 | Cowboy State Daily</title>

And now let's all watch a bunny eating an orange....

Daily Smile: Sunday, February 11, 2024

 And now let's all watch a bunny eating an orange....

Headshot of Cowboy State Daily's Feature Reporter, Andrew Rossi.

Andrew Rossi

Wyoming Life

Around Wyoming

Yellowstone National Park’s “first” petroglyph remains one of its most controversial. Even calling it a petroglyph could raise the ire of some archaeologists.

While Yellowstone was a significant site for many indigenous cultures that left behind plenty of artifacts, rock art was — and remains — rare in the park. 

[{"type":"text","text":"That changed with the discovery of the Old Faithful petroglyphs in 1977."}]

To this day, archaeologists are divided over how to interpret these petroglyphs and the stories they tell. It’s a debate that’s only become more interesting in recent years.

“Not everyone agrees that it's a petroglyph,” said retired archaeologist Mavis Greer. “For me, there’s no question that it is, but who made it and when are still very controversial.”

[{"type":"text","marks":[{"type":"bold"}],"text":"The Old Faithful Petroglyphs"}]

Greer is one of the few archaeologists who has seen and studied the Old Faithful petroglyphs.

In 2011, she wrote a short paper on the site with fellow archaeologists John Greer and Elaine Skinner Hale, who was on Yellowstone’s Cultural Resource staff at the time, and even that was subject to controversy.

“I was very excited to see the site, but I don’t think (the National Park Service) was all that happy about what we wrote,” she said. “They don’t want any publications anywhere showing that this and other rock art sites have been found in Yellowstone.”

Greer didn’t discover the Old Faithful petroglyphs. A Yellowstone visitor, Nicole Cromwell, wrote a letter to park staff informing them that she’d found two petroglyphs carved into the rock near an extinct geyser in 1977.

Today, the petroglyphs are in an area that isn’t accessible to the public. Greer is one of the few who’s been able to see them.

“The petroglyphs were made when the pool was dry, and the rocks are ideal height for sitting, so this would have been a good camping area in the past,” she said.

Both petroglyphs are circular shapes with spokes and other shapes emanating from the center, resembling wheels. What the design was meant to depict has been debated for the last 49 years. 

[{"type":"text","text":"The prevailing interpretation is that these petroglyphs are wheels. "}]

Specifically, they depict the wheels of wagons or, potentially, stagecoaches carrying white Europeans into northwest Wyoming.

That was the assumption when the petroglyphs were first studied in the 1970s. 

Paul Sanders with the office of the Wyoming State Archaeologist reached the same conclusion during a 2008 survey of the site.

Many archaeologists don’t even believe it’s Aboriginal rock art. They think the “wheels” were carved by white Europeans rather than any of the tribes associated with Yellowstone.

[{"type":"text","text":"Greer doesn’t agree."}]

“There are lots of wagon wheels in rock art across the northern plains, and none of them are similar to what's at Old Faithful,” she said. “I believe they were made by Native Americans before first contact with Europeans.”

[{"type":"text","marks":[{"type":"bold"}],"text":"Shields And Status"}]

Greer believes the petroglyphs depict the shields of indigenous warriors, a common image on rock art panels throughout North America.

Most petroglyphs are believed to have had spiritual or ceremonial significance to the tribes and individuals that created them. According to Greer, shields fall under the umbrella of ceremonial art.

“The design of the petroglyph was whatever was on the actual shield,” she said. “There had to have powerful symbols on their shields, and they would often make petroglyphs of their shields where others could see that they had that power.”

Shields would have been unique to each individual, and covered with images, designs, and colors representing their personal power and position. 

[{"type":"text","text":"That’s why shield petroglyphs are so common, but none are the same."}]

“It’s a geometric-type design that was used by a lot of different tribes,” Greer said. “They were very ornate and colorful, and depicted powerful animals, spiritual helpers, and other things that helped them not get shot.”

Greer believes shield petroglyphs need to be interpreted through the lens of intertribal warfare. Shields were important status symbols for men in indigenous tribes.

“They had a lot of conflict between tribes because that was a way that men got status in their tribe,” she said. “In order to gain any status, you had to have engaged in something that showed you were brave and an outstanding warrior.”

In that sense, a shield petroglyph was like a self-portrait. It was a one-to-one depiction of the shield its artist used in battle, down to the same designs and colors.

While most of the color has vanished in the hundreds or thousands of years since they were carved, the intricate and unique designs and symbols remain.

“The design of the petroglyph is whatever design was on the actual shield that they were using when they were out in a battle,” Greer said.

[{"type":"text","marks":[{"type":"bold"}],"text":"Which Wheel Or No Wheel?"}]

There are legitimate petroglyphs depicting the wagons of European settlers. 

, one of Wyoming’s most renowned petroglyph sites.

The confirmed wagon petroglyph at Castle Gardens is one of the reasons Greer cited for why she doesn’t believe the Old Faithful petroglyphs depict wagon wheels.

For one thing, the circular designs at Old Faithful are very intricate and asymmetrical. The wheels on wagon petroglyphs are much simpler, emulating the spoked design of an actual wagon wheel.

Also, Greer isn’t aware of any petroglyphs of wheels without wagons. It’s something she researched for her 2011 paper.

“Wheels, by themselves, are even less common in rock art than complete wagons or vehicles,” she said. “The only possible single wheel we found is at Newspaper Rock in eastern Utah, and its identification is based only on its circular form with rays, not any historical association with a wagon or other items, (so) there is no evidence that it’s a wheel.”

For Greer, it’d be highly unlikely to find a petroglyph depicting a wagon wheel without also depicting a wagon. Meanwhile, it’s quite common to find isolated shield petroglyphs.

“When these wheels are compared with the Old Faithful figures, they both are round with spokes or rays,” she said. “The similarities end there.”

There is another type of wheel that had great spiritual and ceremonial significance to indigenous tribes: medicine wheels. 

Medicine wheels, like the Medicine Wheel National Historic Landmark in the Bighorn Mountains, were usually constructed in sacred areas.

While the Old Faithful geyser basin could easily have been a sacred area deserving of a medicine wheel, Greer doesn’t think that’s a likely explanation for the petroglyphs.

“When viewed from a stylistic perspective of cultures in the northwestern Plains and Rocky Mountains, a shield design is a better explanation.”

[{"type":"text","marks":[{"type":"bold"}],"text":"Who, When, Why"}]

So, if the Old Faithful petroglyphs weren’t depicting wagon wheels, and they weren’t made by a European, who made them? When were they made?

[{"type":"text","text":"Those questions, according to Greer, are much harder to answer.  "}]

“There are just too many tribes that were traveling through Yellowstone in the last thousand years,” she said. “Even with a lot of investigation, I don’t think anyone would be comfortable saying its Shoshone as opposed to the Crow, Blackfeet, or Kiowa. 

"The Cheyenne and Arapahoe were there, too. Any one of them could have made those petroglyphs.”

Determining the age of the petroglyphs would also be difficult, but that’s another reason why Greer believes they aren’t depicting wagon wheels. They look too old.

“The petroglyphs are in a geologic situation where if a European had made it, it would look a lot fresher than it does,” she said. “It looks like it's been there for some time.”

Greer didn’t have enough data to give an approximate age range for the Old Faithful petroglyphs, but she’s confident that they’re too old to be wagon wheels. 

She believes the petroglyphs are older than the first wagon wheels in western North America.

“My only thought is that they were created pre-contact,” she said. “That's not saying much, because the contact period for this area starts in 1800, but it’s something.”

[{"type":"text","marks":[{"type":"bold"}],"text":"Not So Open Secrets"}]

The Old Faithful petroglyphs remain the best-known petroglyphs in Yellowstone National Park, but even they aren’t common knowledge to the typical tourist. 

[{"type":"text","text":"Anyone who wants to see them can’t."}]

“It's in an area of the park where you cannot go without a ranger,” Greer said. That makes it easier to keep the location secluded.”

While there’s plenty of accessible information on Yellowstone’s archaeology, petroglyphs, and other indigenous rock art are rarely mentioned. 

[{"type":"text","text":"Greer believes that’s simultaneously deliberate and accidental."}]

Greer is aware of other Yellowstone petroglyphs and rock art panels discovered within the last two decades, but information about them is scarce. 

That’s partly because they’re inaccessible to most tourists and scientists.

“I think most archeologists thought there was rock art in Yellowstone, but nobody had gone out there and really searched for it before,” she said. “Doing a rock art survey in the park is not a simple thing. You’d need money, horses, and a camping crew to find those places.”

Greer also believes the National Park Service has a vested interest in restricting what gets published about these sites, at least until they’re better understood. 

From what she’s heard, the newly discovered sites are more fragile than the Old Faithful petroglyphs.

“The new sites have been paintings rather than petroglyphs,” she said. “That’s just the nature of the rock that they're dealing with. 

"On limestone and even types of granite, they're more likely to have paintings than petroglyphs.”

Greer’s 2011 paper on the Old Faithful petroglyphs is still the most recent scholarly work on any rock art in Yellowstone, and it’s “still controversial,” according to Greer.

“That one’s been known for a long time, and I wouldn't say there are a lot of people who think it's a confirmed petroglyph yet,” she said.

The ultimate takeaway is that there’s much more to learn about the history of indigenous tribes in Yellowstone, and the known and yet-to-be-discovered rock art will deepen our understanding of the park’s place in human history.

“There's been a lot of work on indigenous use of Yellowstone prior to and even after the coming of Europeans,” she said. “The history of the park goes back thousands of years, and these rock art panels show us there’s still so much to discover and learn.”

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<title>50 Years Of Controversy Over Yellowstone's Only Known 'Petroglyph' | Cowboy State Daily</title>

Yellowstone's “first” petroglyph remains controversial. Some archaeologists don't buy it. While Yellowstone was a significant site for indigenous cultures rock art was rare. That changed with the discovery of the Old Faithful "petroglyphs" in 1977.

50 Years Of Controversy Over Yellowstone's Only Known 'Petroglyph'

Headshot of Cowboy State Daily's business and tourism reporter, Renée Jean

Renée Jean

Outdoors

Public Lands

Waterfalls shoot straight out of volcanic cliffsides, flinging themselves into canyons almost no one ever visits. 

Far from the boardwalks and pullouts, meanwhile, something that looks very much like a starfish seems to nap where no starfish should even be, sunning itself in a crystal-clear thermal pool in Yellowstone National Park. 

It’s all part of a hidden Yellowstone that most people never get to see — the Yellowstone that Bozeman filmmaker Stephen Quayle has spent five decades chasing with a camera and has finally stitched into a new film, 

“Only 5% of Yellowstone is visible by the roads or by the boardwalks around the geysers,” Quayle told Cowboy State Daily. 

Another thin, 10% slice belongs to the hardy few willing to trek for miles into grizzly bear and wolf territory. 

But from a helicopter, “the most gorgeous” waterfalls and the most intriguing geothermal pools can be seen in stunning aerial views. 

Photographing from the air takes a million-dollar camera lens, Quayle said, one that can take high-resolution images from at least 2,000 feet away. 

That’s the minimum height recommended by the FAA for flying over places like national parks. Any lower could violate federal laws if an aircraft disturbs wildlife or park visitors.

“That way we can present to people the Yellowstone that really is,” he said. “And it’s breathtakingly wonderful. It is not just a wonder of the world, it is 

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"A Fateful Party Weekend"}]

Quayle’s relationship with Yellowstone began when he was a college student with time on his hands and weekends to burn in glorious summer road trips. 

Yellowstone was perfect for that when you’re a young man from Bozeman, Quayle said. 

“I went there because that’s where everybody used to go and party,” he admitted. “And from Bozeman, they drive down to the inner West Yellowstone, but I would take a diversion. That doesn’t mean I didn’t partake of some of the wild stuff in those days. 

"But the bottom line is that it was so close, and in those days you could go from one feature to the next and never see another car,” Quayle added.

The more he photographed Yellowstone, the more he wanted to go back. It felt like becoming lost in another world, one that seemed to rearrange itself every time he visited.

At first, Quayle stuck to closeups. Think bacterial mats, colorful mineral formations, tiny, iridescent insects — all reflecting his interest at the time in abstract art.

“Most photographers would take a leaf,” he said. “I would take the veins in the leaf.”

But over time, Quayle saw that Yellowstone was like this gigantic living creature, breathing, pulsing, moving around. 

That could never be captured with microshots of leaf veins and abstract rock patterns. 

For the real Yellowstone, Quayle realized he had to do something to widen his scope. 

On a map, Yellowstone National Park looks vast, but knowable. 

You can drive in and easily hit the biggest, most popular features — Old Faithful, Grand Prismatic, the Canyon — and drive back out with a phone full of photos and a comfortable sense that you’ve now seen Yellowstone.

[{"type":"text","marks":[{"type":"textStyle"}],"text":"It’s a beautiful illusion. "}]

For one thing, Yellowstone is among the most dynamic landscapes on earth. Fire and water are shaping and reshaping its landscapes all the time. 

The park is also vast —  3,500 square miles — and the majority is too dangerous and too inaccessible for most people’s hiking abilities. 

“It’s a matter of practicality,” Quayle said. “Because some of these waterfalls come out of the side of a mountain and you’ve got wolves in the park and you’ve got grizzlies in the park … and the wolves are not, ‘oh they’re so cute,’ and it’s not Yogi Bear time.”

Some areas are even untouchable when it comes to horseback, Quayle added, and the park also has rules on where people can go by horseback, which helps protect fragile areas. 

Quayle himself didn’t even realize at first just how much he’d been missing. Until one day he got the idea to take a helicopter ride and look down on this creation. 

[{"type":"text","marks":[{"type":"textStyle"}],"text":"Yellowstone became a whole new world. "}]

Geyser basins became vast, veined paintings. Rivers resolved into networks tying distant waterfalls together. Thermal scars appeared in forest clearings that had no signs, no names, no crowds.

“It’s like a whole different world,” he said. “You literally wouldn’t know you were on planet Earth.”

The view from 2,000 feet is ultimately the one that captured and held Quayle’s attention the best. 

Waterfalls spilling over volcanic rocks like crystal threads of light into dark and lonely slot canyons and broad amphitheaters that had been carved by wind and water and time. 

There were blue-and-white ribbons twisting over black volcanic rock, framed by forests and meadows that melted into the mists of morning. Scenes like this often felt less like sightseeing, and more like eavesdropping on a secret earth, as if he, himself, was an alien. 

One time he saw what looked like a perfect, starfish-like form sunning itself in a crystal clear thermal pool.

“Imagine a starfish, a perfect starfish, in water that’s too hot to have any life,” he said. “How do you get that kind of design in geothermal pools?”

Quayle said he’s shared the images with researchers, who are still evaluating them.

Quayle has combined the footage taken from the air with snapshots he’s taken at Yellowstone National Park over a 50-year period, creating a feature-length film he calls “Yellowstone: Above & Below.” 

His goal with the film is to help people access even the most inaccessible places in the park, as well as raise funds to help support the park. 

Ten percent of the film’s proceeds will be donated to the park’s official nonprofit, Yellowstone Forever, to help fund conservation, education and stewardship of the park.

“Yellowstone is alive,” the film’s narrator says over sweeping aerial shots. “Every breath of steam, every shifting terrace is part of an ancient story written in stone and fire.”

Creating the film has taken Quayle a lifetime, including about four or five years worth of helicopter rides.

“We were in a helicopter for sometimes six and eight hours a day,” he said, a ride that was paid for by the hour. “I mean, it’s a lot of time in the air, but there’s no other way to see it all, to reference it.”

To capture the views, Quayle rented a gyro-stabilized camera system with a long-range lens once used for military surveillance. He also hired Hollywood cameraman Nel Boshoff to operate it.

The camera is so precise, Quayle said, it can focus on an elk 2 miles ahead and then zoom in on its eyelashes. 

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"Where Science Meets Spirit"}]

Ask Quayle why he keeps coming back to Yellowstone after 50 years, and his answer lies somewhere between science and spirit.

From above, the branching runoff channels remind him of blood vessels in a human body, and everywhere he sees beauty born from volcanic violence.

“It’s a place of wonder and warning,” he says in the film. “It is fragile, and yet holds the strength of worlds beneath its surface.”

For most visitors, Yellowstone will always mean the 5% everyone else sees — Old Faithful, the canyon, a glimpse of bison in the valley. 

The remaining 95% — Quayle’s waterfalls in hidden canyons, starfish patterns at the bottom of a boiling pool, and backcountry geysers with no signs or names — are like something from a dream, revealed by one man’s uncommon obsession. 

If the images leave viewers feeling like they’ve gotten as close to the edge of creation as they ever will from a living-room couch, that’s fine with Quayle. That feeling is everything about Yellowstone that he’s ever wanted to say.

Contact Renee Jean at renee@cowboystatedaily.com

Quayle yellowstone alternative 6 21 26

<title>The Yellowstone You’ll Never See: Filmmaker Spends 50 Years Capturing Its Secrets | Cowboy State Daily</title>

Most tourists see just 5% of Yellowstone from roads and boardwalks. Bozeman filmmaker Stephen Quayle has spent 50 years filming the places most never reach. “It’s like a whole different world,” he said. “You literally wouldn’t know you’re on planet Earth.”

The Yellowstone You’ll Never See: Filmmaker Spends 50 Years Capturing Its Secrets

Headshot of Cowboy State Daily's general assignment reporter, Clair McFarland.

Clair McFarland

Law Enforcement

Crime & Courts

Sound surveillance technology has gone largely unnoticed and un-debated in Wyoming while residents clash over video-surveillance license plate reader cameras, like Flock.

ome Wyoming law enforcement agencies use microphone surveillance systems in Cheyenne to detect gunshots, authorities have confirmed.

Gunshot detection sensors are acoustic detection systems built to alert authorities to gunfire and help them locate it. 

ShotSpotter, a prevalent system brand, relies on an artificial intelligence algorithm and network of microphones to identify gunshots.

Laramie County Sheriff Brian Kozak said his office uses that tech in just one place: the local courthouse.

The Cheyenne Police Department has used shot detection technology and “the microphones can be deployed on our mobile observation platforms at large community events, or in hot spots for crime,” said agency spokeswoman Alexandra Farkas in a Friday text message.

The surveillance video cameras have been far more controversial so far, as Wyoming law enforcement agencies use license plate cameras in at least 

In the audio surveillance world, the prominent brand Flock is now transitioning to train its high-powered microphones to listen for ambiguous sounds like screaming and human distress rather than just gunshots, according to 

[{"type":"text","text":"State of Surveillance calls that expansion “mission creep.”"}]

[{"type":"text","text":"Kozak said he hadn’t heard of microphones doing that yet."}]

Kozak in his Friday phone interview said that when he was chief of police for Cheyenne, the agency used the microphones at the huge Cheyenne Frontier Days Rodeo to locate any gunfire on site quickly.

As for Kozak’s newer role as sheriff, the courthouse is the only place he uses the sound technology, he said.

“(If there are) any shots within the building, it alerts deputies what part of the building,” he said.

[{"type":"text","marks":[{"type":"bold"}],"text":"The Vroom"}]

 a man revving his motorcycle until it pops, prompting a visit from a police officer who said the noise sensors “triangulated” the sound.

Cowboy State Daily has not yet confirmed whether the video depicts a real police encounter.

But for New York City, vehicle exhausts and 

 aren’t false positives: they’re targets. 

 saying the city’s hidden “noise cameras” led to $1.7 million in fines in recent years for things like motorcycle roars, honking horns and blasting music.

[{"type":"text","marks":[{"type":"bold"}],"text":"Full Scale In Bigger Cities"}]

Gunshot detection sensors are more prevalent in bigger cities, where police not only have a dispatch center but a real crime center for tracking immediate threats and incidents as well, Kozak said.

The sheriff said he recently visited Mesa, Arizona, where he worked prior to 2006, and watched that city’s real crime center track incidents through city cameras.

“If it’s a high-risk call like a shooting or drive-by, something like that, they’ll dispatch drones,” said Kozak.  “They’ll push a button, the drone goes up, responds to the call” and captures images of whoever is leaving or in that area.

“The future is kind of crazy: what’s coming for policing,” said Kozak.

Campbell County Sheriff Scott Matheny and Fremont County Undersheriff Mike Hutchison both said their agencies don’t use the microphones.

Teton County Sheriff Matt Carr, whose office oversees an area already populated with camera surveillance, did not respond by publication to a Friday voicemail.

[{"type":"text","marks":[{"type":"bold"}],"text":"The Flock Critic"}]

Rep. Daniel Singh, R-Cheyenne, who has been a vocal critic of the many Flock-brand surveillance cameras in Cheyenne, told Cowboy State Daily that the microphones aren’t as offensive since they’re narrowly focused on picking up the sound of gunfire rather than tracking individuals’ movements. 

But policymakers should still be proactive about putting safeguards around any new surveillance technology people, he said.

Singh co-chairs the Legislature’s Select Committee on Blockchain, Financial Technology and Digital Innovation Technology. He said the committee is scheduled to consider digital surveillance privacy policies at its next meeting, set tentatively for July.

“The difference with the Flock camera is the information is identifiable, right? So you have your specific license plate or specific vehicle or what-have-you,” said Singh. “But the microphone, it’s de-identified. … You just know something loud is over there.”

On the topic of mission creep and policy, Singh said, “Well unfortunately, usually policy is reactive, but that “we should try to take a proactive approach to figure out where your rights ought to be protected, instead of learning from trial and error.”

Singh noted how pervasive the government’s surveillance efforts have grown already.

“Should the government be able to hear you in your own home?” asked Singh. “The government has already allowed itself to listen in on this conversation between you and me, if they decide I’m a threat to national security. But in the privacy of your own home, is that the direction you want to let it slide? I don’t think so.”

[{"type":"text","marks":[{"type":"bold"}],"text":"Ensure They Don’t Make Us Less Free"}]

Robert Frommer, senior attorney at the Institute for Justice and one of the attorneys urging stronger Fourth Amendment protections with respect to surveillance video cameras, told Cowboy State Daily that his organization hasn’t been as concerned with the microphones because their role is more limited — so far.

But they’re not without issues, he added, noting that he’s heard of false positives and 

. Mission creep is another concern, he said

The city of Chicago announced in 2024 it was ending its contract with SoundThinking, which is 

’s parent company. That was after the systems were criticized for 

“Technologies like Shot Spotter are sold as keeping us safe,” said Frommer. “But it’s the job of courts and legislatures to ensure that they don’t make us less free.”

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<title>We Know Surveillance Cameras Are Being Used, But So Are Surveillance Microphones | Cowboy State Daily</title>

While Wyoming debates surveillance cameras, what's gone largely unsung and un-debated is sound sensor technology. Law enforcement authorities in Cheyenne say they are using noise sensors to detect gunshot sounds. Some worry it could lead to "mission creep.”

We Know Surveillance Cameras Are Being Used, But So Are Surveillance Microphones

Courts

RIVERTON — A 33-year-old Lander man faces up to 42 years in prison and fines in connection with the Wednesday evening Riverton crash in which two people died.

A Lander man faces homicide charges and up to 42 years in prison in connection with a Wednesday Riverton crash that killed two people. “I’m terribly sorry about what happened,” he said in court on Friday. “I’ve just been fighting addiction my whole life.”

Daily Smile: Sunday, February 11, 2024

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