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[{"type":"text","text":"\"How I pump gas vs how my wife pumps gas....\""}]

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Cowboy State Daily is Wyoming’s largest newspaper with Wyoming’s most experienced journalists. 

<title>Bonus Video 1: Tuesday, January 13, 2026 | Cowboy State Daily</title>

"How I pump gas vs how my wife pumps gas...."

Bonus Video 1: Tuesday, January 13, 2026

 "How I pump gas vs how my wife pumps gas...."

Headshot of Cowboy State Daily reporter, Jackie Dorothy.

Jackie Dorothy

Around Wyoming

 in Hot Springs County that was becoming a ghost town by the time World War II broke out. 

Beginning in 1932, the once busy mines were being closed permanently and families were moving away, with only a few remaining to work in smaller private mines. Then World War II called away the young men of Gebo to serve as soldiers, many of them still teenagers.

and his friends formed the Junior Marines and

re just as dedicated as any who were serving abroad.

“We all tried to be good soldiers, and whenever any of us got out of line, you sure heard about it from the rest of the group,” Bolich, 93, told Cowboy State Daily. “I think the added discipline was good for all of us.”

Bolich said that whenever they heard of a soldier coming home on furlough, the Junior Marines would gather at the schoolhouse and march to the soldier's home to sing the Marines' Hymn.

“When the family would come outside to see what was going on, we would salute the soldier and then march back to the school,” Bolich said. “We never gave any thought to the fact that they might have been in the Army, Air Force or Navy.”

Bolich chuckled at his youthful ignorance and said that when he was older he learned the soldiers and their parents got a kick out of watching the Junior Marines perform, especially if the soldier being serenaded was not an actual Marine.

[{"type":"text","marks":[{"type":"bold"}],"text":"The Teenage Soldiers"}]

The Junior Marines were inspired by two Gebo teenagers who had both enlisted on the same day. 

Stanley "Dutch" Wedlock, 18, had graduated from Thermopolis High School and volunteered in the Marines. His younger brother, Lee, also volunteered to the Marines although he was only 16.

“Lee lied about his age so he could volunteer,” Bolich wrote in his memoirs, “Gebo, Living in a Coal Camp”. “At that time, there was such a demand for manpower that the War Department did not take the time to examine everyone's birth certificate. In fact, many of the soldiers could not produce a birth certificate, so if you looked 18, you were accepted.”

After their boot camp, Dutch and Lee were assigned to different Marine divisions. They were not to see each other for the next three years.

A miraculous story about the two young soldiers was broadcast to the world by the Denver Radio Station KOA and picked up by The Associated Press in July 1944.

“A story of Gebo boys comes out of Saipan, Marianas Islands,” Staff Sgt. Hy Hurwitz, a Marine Corps staff correspondent, reported. “Two brothers from Gebo, Wyo., met here by accident today just as Marines were about to start a push over one of the heavily fortified Jap-held hills.”

Marine Cpl. Stanley Wedlock had run out of ammunition and turned for help from another ‘Leatherneck’ who was unloading supplies on the beach.

[{"type":"text","text":"“Got any ammunition?” Wedlock asked."}]

When the Marine unloading ammunition turned around, Wedlock discovered it was his younger brother, Pvt. Leland R. Wedlock, whom he had not seen since they enlisted together in August, 1941.

Hurwitz, one of the official correspondents for the 18th Marines

, wrote dozens of human-interest stories from Tarawa, Saipan, Tinian, and later campaigns. 

He was so impressed with this chance encounter that Hurwitz sent a press release and the story 

 the world, including as the first presented on a new Marine program airing on KOA radio in Denver the following Monday.

“It was a rare experience that two Marines from a little town in Wyoming should meet during a battle on an island in the middle of the Pacific Ocean,” Bolich said.

[{"type":"text","marks":[{"type":"bold"}],"text":"Young Marines"}]

Their youngest brother, Bob Wedlock, 12, was instrumental in forming the Junior Marines, according to Bolich.

“As patriotic youngsters, we all decided that we would join this group,” Bolich said. “All of the boys in the camp wanted to join.”

Bolich was one of the youngest at age 10 and the other boys who joined he named as Jack Toth, Fritz Jurovich, Joe Bandich, Pete Cavalli, Kenny Halbert, Jack Bretthauer, Buddy Cammock, Jim Hughes, Ken Bolich and Jim Isbell.

“In order to be sworn in, you had to be able to sing the Marines' Hymn,” Bolich said. “Once you did your performance, they would allow you to be a Junior Marine.”

found Navy officer caps in a catalog for about a dollar. The boys all saved money so they would have their ‘uniform dress.’

“They weren’t Marine hats but were Navy officer hats, but we got them and wore them,” Bolich said. “Boy, we were something. We felt like we were helping because people we knew were in the war.”

[{"type":"text","marks":[{"type":"bold"}],"text":"The Rubber Gun Rifle"}]

Once accepted as a Junior Marine, the boys were required to build a rubber gun rifle they would hold against their shoulders as they marched.

The boys would draw the outline of a rifle on boards they salvaged from the houses being torn down in Gebo. Sig Nelson, the grocer in Kirby, was also recruited into their wartime efforts. He would bring them wooden boxes from his store specifically for their guns.

“We would take a small axe and chop away a lot of the wood,” Bolich said. “When that was done, we moved on to using a knife to make a nicer finish.”

When the rifle was smooth, the boys would nail a heavy piece of string to the end of the "barrel" of the rifle. Four notches 

carved on the top of part of the barrel. Their ammunitions was from old inner tubes from the inside of car tires. The Junior Marines would then cut pieces out of the rubber about an inch wide.

“One tube gave us enough ammunition for our whole squad,” Bolich said.

To fire their guns, they would place one end of the rubber across the front of the barrel, stretch it backward, and place the band into one of the notches over the string. They could pull up on the string, which released the stretched inner tube.

They used the rubber gun rifles when they played war, and if you were hit by the rubber tube piece, you were out of the fight.

“We drilled regularly in the flat area just north of the town, on the old football field, which was used by the high school before the high school was closed,” Bolich said.

They would pick teams, then head up into the hills behind Gebo Hill for their wars.

[{"type":"text","marks":[{"type":"bold"}],"text":"Scrap Metal Effort"}]

“Our job was to help the war situation,” Bolich said. “We were really busy.”

Aside from singing the Marines’ Hymn to returning soldiers, waging their own wars in the Gebo hills and playing basketball, the Junior Marines were salvaging iron.

“The county was directing a scrap iron drive for the war, so we, as Junior Marines, worked hard to do whatever we could to help,” Bolich said. “We always got together, and our job was to help the war effort. We went up to the mine in Gebo and started hauling stuff away.”

They got spikes out of the railroad, and would haul a rail over to the vacant lot where the old basketball gym used to be to pile up the scrap metal. Once a month, a big truck would come to Gebo to gather it all.

“Since Gebo was being dismantled as a coal mining town, there were lots of items left that people did not take with them,” Bolich said. “We went into abandoned houses, collected whatever metal was left there.”

[{"type":"text","text":"They also got the privilege of legally breaking windows."}]

“We were always aware of any house that was being torn down and obtained permission to get rocks and throw them to break windows,” Bolich said. “We would line up like baseball pitchers do and see who had the most accurate arm.”

[{"type":"text","text":"Bolich said Pete Cavalli had the best pitching arm of the Junior Marines."}]

“Since the mine was no longer working, we were very efficient in picking up pieces of metal there,” Bolich said.  

[{"type":"text","text":"They would all pitch in to carry a rail and made it a military endeavor."}]

“When we all were in position, someone would call out, ‘lift' and we would lift the rail altogether and then wait for the 'forward march, hut, hut, hut' orders,” Bolich said. “We would all march in step to take the rail to the metal stockpile. I often wonder if some Gebo people saw us and just laughed.”

[{"type":"text","marks":[{"type":"bold"}],"text":"Proud To Be Junior Marine"}]

Bolich recalled trying to get the wheel off an ore car and being chased off by a worker who was on the tipple.

"You get the hell out of there — we use those wheels," the worker yelled. “Leave that alone!”

Bolich said he took his wagon and hurried home with what little scrap he was able to salvag

His time as a Junior Marine soon came to an end, despite the war still being fought. Bolich’s own family moved into Thermopolis when he was in the fifth grade. Despite no longer being in the Junior Marines, Bolich said their wartime efforts continued.

“When we left Gebo, my brother got a job because so many men were in the Army, Navy or Marines,” Bolich said. “Ken started washing dishes at the Manhattan Café and I shined shoes for Steve Ely because it was hard to buy shoes.

“Leather went to the military, so Steve would repair the shoes, and I would shine them up. I got a dollar a day.”

As Bolich looked back at his childhood war efforts, he said that he was proud to be a Junior Marine. He would still sing the Marines' Hymn, no matter which branch the soldier

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<title>Wyoming History: How Gebo’s Gung-Ho Junior Marines Served During World War II | Cowboy State Daily</title>

In the dying coal town of Gebo during World War II, the patriotic Junior Marines were gung-ho in their wartime efforts of gathering scrap iron, marching and singing. They were inspired by the Wedlock brothers, two teens who left Gebo to fight the war.

Wyoming History: How Gebo’s Gung-Ho Junior Marines Served During World War II

Headshot of Cowboy State Daily State Government and Politics reporter, Leo Wolfson.

Leo Wolfson For Cowboy State Daily

Wyoming Life

Sports

Wyoming businessman Matt Micheli is worried about the future of University of Wyoming athletics.

With paid deals for NCAA student athletes — often referred to as name, image and likeness (NIL) — becoming a dominating force in college sports, schools with smaller athletic program budgets and alumni bases like UW have found themselves struggling to compete for athletes.

Micheli decided to take matters into his own hands by setting up an NIL partnership with his Casper-based fly-fishing guiding company Cowboy Drifters and two premier UW athletes: football player Tote Harris and basketball player Gavin Gores. 

Like everything Wyoming does to compete at a national level, Micheli said the state must play to its strengths and make moves like these to compete in the world of NIL. 

“There’s some really cool things in Wyoming,” he said. “There’s world-class tourist opportunities. It makes sense to try and combine our great university, great athletic program, and great things about the state. 

"If we lean into our strengths we can make this something positive.”

Cowboy Drifters took Harris and Gores on a fly-fishing trip on the famous Miracle Mile of the Platte River about 50 miles outside Casper this summer. 

In addition to showing them the joys of fly-fishing, highlights from the trip will be featured in a media campaign played at UW football and basketball games and on social media this year. 

The pair had quite the day, both catching brown and rainbow trout.

“Mostly, it’s for people to see Wyoming athletes out having a great time catching really great fish in the Wyoming nature that we all love,” Micheli said.

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"First Time Fly-Fishing"}]

Cowboy Drifters took Harris and Gores on the Miracle Mile section of the Platte, a remote section chock full of fish, and a bucket-list destination for anglers around Wyoming and the United States.

It was a hot and beautiful sunny day on the river, the type of day many dream about all winter long. Harris said that after spending a few hours with the guides, it felt like he had known them for years.

“Good conversations, good connections, good teachers — it was nice,” he said.

Although the pair of Pokes may be highly skilled in their respective sports, it was not only the first time that either of them had held a fly rod, but for Harris it was also the first time he’d ever fished. 

He caught 16 passes for 184 yards last season on the gridiron, but Harris described catching his first fish as  “mind-blowing.”

“I felt a tug and they told me to pull like I was doing a bicep curl,” he said.

The fish broke from the line and flew straight into the boat, leaving Harris with a smile and a memory he’ll likely never forget.

It took the Cibolo, Texas, native a little time to figure out how to properly reel in a fish, but once Harris did, he was sold on the sport, vowing to bring his dad back to the scenic location.

“It shows you don’t have to be some kind of professional fly-fisherman to go out and have just an absolutely tremendous day,” Micheli said.

Gores, a native of Cumberland, Wisconsin, had fished lake walleye before, but had never tried fly-fishing.

Standing 6-foot-10, the hooper used his large frame to easily reel in his fish, while Harris said he had to tilt the reel over his shoulder to get his catch out of the water.

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"Wyoming Style "}]

Establishing paid partnerships like these with college athletes will be critical for businesses across the country if they hope to see competitive teams at their local universities, said Micheli, who’s also a well-known Wyoming politico and former chairman of the state Republican Party. 

Micheli believes the state is ripe with opportunities to support a healthy NIL program given the “One Wyoming” mantra UW promotes as the Cowboy State’s lone university.

“For us to be successful as a state and a university, we all need to come together,” he said. “We all need to help each other out. 

"It’s such a great way to help the university, help our athletes and to promote your business. I just think it’s a win-win for everybody.”

The college athletic landscape has been significantly altered by the presence of NIL. 

In most circumstances so far, it has widened the gap between the have’s and have-nots of college sports, with well-endowed programs becoming even more dominant and less wealthy programs less competitive since NIL was legalized.

“Anybody who’s watched college sports and watched what’s happened definitely has some concerns,” Micheli said. “We’re in Wyoming, and we’re the smallest state in the country. You worry about our ability to continue to compete.”

To fight these trends, UW Athletics earlier this year launched a Step Forward campaign to generate $500,000 for football revenue. The men’s basketball program soon followed with its own fundraising venture with a goal of $250,000.

The university also announced in April that it landed a 

, a five-year jersey patch partnership with Tallgrass, a Colorado-based energy infrastructure company that operates thousands of miles of pipelines across Wyoming.

The deal was a huge infusion for UW’s ability to expand its NIL purse by putting the Tallgrass logo on football and basketball jerseys.

At the time the deal was announced, UW Athletics Director Tom Burman said the university needs at least double that, $8 million, to be able to compete with other Division I schools.

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"Has To Start Somewhere"}]

Retaining incoming sophomores Harris and Gores was critical for UW as both athletes will among the most important members on their teams for the upcoming seasons. 

Gores, a forward, averaged 7.3 points and 3.4 rebounds on the hardwood. Harris, a running back, rushed for 558 yards on 100 carries last season. 

Beyond on-the-field exploits, Micheli said he picked the pair because they have a genuine love and excitement for Wyoming, seeing them both as great ambassadors for the university and his fly-fishing company.

This passion is matched by Micheli and his siblings, who also co-own Cowboy Drifters, and are lifelong Pokes fans.

“I thought this was a good opportunity for a partnership to help us support the university and help to support our athletes and help us get some word out on our new business that we just bought,” he said. 

Conversely, Harris said teaming up with Cowboy Drifters was a logical move to expand his horizons and potentially build connections with more outdoor brands in the future. 

The scenic beauty and recreational opportunities Wyoming offers, he said, is what makes this state special and where he believes the most NIL opportunities will be available to tap into.

Fly fishing NIL C3643 00 00 00 00 Still007 7 26 26

<title>Casper Fly-Fishing Guides Reel In Top University Of Wyoming Athletes For NIL Deal | Cowboy State Daily</title>

A Casper fly fishing guide company has teamed up with two top University of Wyoming athletes for a name, image and likeness deal they hope will set a precedent for supporting athletes at the school. Wyoming must play to its strengths to compete, the owner said.

Casper Fly-Fishing Guides Reel In Top University Of Wyoming Athletes For NIL Deal

Headshot of Cowboy State Daily's business and tourism reporter, Renée Jean

Renée Jean

LANDER — People who want to play the “Six Degrees of Kevin Bacon” trivia game have a surprising way they can boost their personal score to a mere two degrees. All it takes is a simple coffee run to the Lander Bake Shop anytime the owner happens to be taking orders or chatting with customers.

Brian Harms recently bought the Lander Bake Shop, a classic small-town hangout where locals trade gossip over lattes and hikers fuel up on croissants. 

It’s a town better known for trailheads than red carpets, but Harms’ resume reads like a Hollywood highlight reel. He spent decades in television and film, including stints as art director and production designer, with a front-row seat to making some of America’s most-watched shows. 

Now he’s pouring all that experience into coffee, croissants and building community back home in Lander.

That’s high-caliber, creative talent returning home to invest in Main Street, but you won’t see any sign of the Hollywood plot twist as Harms cheerfully takes your order or asks you how your food was. He is low-key about his Hollywood years. 

You’d have no clue he once worked directly with Kevin Bacon for three weeks on the television series “The Closer” while he was its art director. 

Or that he spent more than a decade shaping the entire look and set of “Grey’s Anatomy,” America’s longest-running primetime medical drama, which recently clinched its 23rd season.

Other movie credits Harms can claim during a 20-plus-year career include the independent film “Life of the Party,” television movie “Protect and Serve,” NBC drama “Las Vegas,” and TNT crime drama “Leverage.”

Harms is not a Hollywood transplant, however. He’s a native son, born and raised in Lander. 

He grew up doing music, football, basketball, and track when he was in school, and skied at Jackson Hole any chance he got.

“We would mow lawns all summer to afford the season pass in Jackson,” Harms told Cowboy State Daily. “And then we’d drive to Jackson to ski.”

Coming out of high school, Harms figured his best bet was to shoot for a job with Wyoming Game and Fish.

“I wanted to be outdoors,” he said. “I wanted to be active. So I majored in biology resource management.”

But he also happened to earn a music scholarship from Central Wyoming College in Riverton, which put his feet on an entirely different path.

“I was a biology major doing all these music classes and groups to fulfill the scholarship requirements,” he said with a chuckle. “I was in the concert band, the jazz band, and the jazz choir. And then working in the recording studio and doing sound for the theater.”

Once the theater program found out his dad was the woodworking teacher for shop classes in Lander, Harms was drafted for set building. 

That’s when he began to realize where his true interests might lay. 

“I had almost enough credits to graduate biology, but more than enough to graduate music,” Harms said “So I got my degree in whatever that was, general arts and sciences with the music concentration.”

That summer, he worked for the Idaho Repertory Theater and then went to Missoula, where he built a set for the Montana Repertory Theatre.

Still, it’s a long way from the Idaho or Montana Repertory Theater and television shows like "Grey’s Anatomy."

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"More Grit Than Glamor"}]

There were no great leaps to fame or fortune for Harms. Instead, it was a series of small, incremental steps — more grit than glamor. 

[{"type":"text","marks":[{"type":"textStyle"}],"text":"It also took a huge leap of faith. "}]

After his first summer gigs went so well, Harms kept chasing opportunities to stretch his skills and widen his world.

He earned a Bachelor of Fine Arts in Missoula with a focus on scenic design, then packed up his portfolio for a major job fair in Chicago.

It was run like a science fair. Harms set up a display of his work, then left the room. It was a cattle call where you only met anyone if they chose your table. 

Harms was nervous the entire time this was going on. But he ultimately got a call back for 13 different grad schools.

The one he picked, though, wasn’t the one who wooed him the strongest. It was the woman who made him explain all his decisions and talk about his process.

“It wasn’t like interrogative,” Harms said. “It was inquisitive. So it was a really great conversation.”

Finally she told Harms that she would allow him to come to her school only on one condition. He had to come visit it first.

That spring break, Harms did just that. He drove all the way to Pennsylvania from Montana — and broke down partway there.

“I had to rent a car in Kansas City to finish the trip,” he said with a chuckle. “So I went to Penn State, and it was fantastic, It was just the best program. I just won an alumni award last year where they flew me and my wife out for a big, big award.”

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"A Naive Leap Of Faith"}]

After grad school, Harms did regional theaters in Illinois and New York. Then he returned to Montana, where he met his wife. 

By now, the itch to try Hollywood was too strong to ignore. The couple saved $4,000 then loaded up their car and moved to California.

“It’s funny looking back just how naive and hopeful we were,” Harms said. “That $4,000 barely got us into an apartment there. By the time you paid the deposit — they want first month’s, last month’s rent and that was about all in just to get into the apartment.”

Hollywood, meanwhile, did not roll out any sort of red carpet for Harms. He started out with jobs that don’t make any headlines. He drafted for other designers, did some model building, and took as much non-union television work as he could get.

All of the jobs were long on hours and short on certainty. 

“I would do three days of drafting for this show,” he said. “They would do like two weeks of model building.”

His first big break was a show filming under the title “Glory Days,” as an independent film.

“I wasn’t in the union, so I wasn’t eligible to work on union shows,” he said. “But that small film started non-union and I was on it for more than 30 days before they flipped.”

It was a common industry tactic to start non-union to save money, Harms learned, then flip once filming began to avoid picketing. 

And it finally gave Harms his ticket into the union. All he had to do was pay six weeks of his salary for his initiation fee. That was a tough leap considering Harms’ work to date had been mostly odd jobs. 

“But all the guidance was when you get the opportunity, you better take it, even if it’s going to be a big financial hit, because it’s going to pay off,” he said. “And coincidentally, that movie starred Ellen Pompeo.”

The movie was one of the last things she did before taking a role with "Grey’s Anatomy."

“From that point on, I was eligible to apply for all of these jobs,” Harms said. “And my first union TV job was what we call blue-collar TV, like with Jeff Foxworthy.”

The Kevin Bacon connection came a little later on the set of the “The Closer.” Harms had been brought on as an art director in 2006, which stars Kyra Sedgwick, who is married to Kevin Bacon.

As a result of that, he met Bacon many times. But he also worked with him closely for three weeks when Bacon directed one of the episodes. 

“It was a fun one,” Harms said. “Because the episode had like a kind of car chase scene. It wasn’t like a high-speed car chase, but it was just one car cutting off the other car. So we were trying to work through all the logistics of the scene and the camera angles.”

Harms built out the entire set first using Matchbox-size cars, which had him calling it Matchbox Theater from that point on.

Being the art director meant Bacon wasn’t just a name in a party game. He was someone Harms worked with every day on the complex production puzzles they were trying to solve day by day. Sets had to be built, dressed, and redressed and locations transformed into believable backdrops for tense interrogations and high-stakes chases.

Working on the set of “The Closer” helped establish Harms in Hollywood, but has also created a fun piece of trivia that few people can match. He’s just one degree from Kevin Bacon. 

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"A Shot In The Dark"}]

The COVID-19 pandemic put Harms out of work — like a lot of others in the film industry. 

“I went back to my portfolio and put together a mailer — a little mini portfolio with a DVD of some of the stuff I’d done,” he said. “And I spent quite a bit of money to put all this together and to send them out to try and get some new introductions and get a job.”

Harms waited weeks and weeks, but nothing seemed to come of it at all. 

“Eventually, I got back to some work,” he said. “Then, one day, I get a phone call from this gentleman who said he’d been holding on to this thing for a while.”

Harms hadn’t sent the portfolio to this individual originally, but someone else had shared it with him. 

The man turned out to be with "Grey’s Anatomy," and he invited Harms to consider joining the production design team.

“They were replacing their art director,” Harms said. “And they had just finished season five, so I came in and had the interview and had a second interview with their producers and then got hired. So I started season six as the art director.”

[{"type":"text","marks":[{"type":"textStyle"},{"type":"bold"}],"text":"Domino Days"}]

As “Grey’s Anatomy” Art Director, Harms worked on roughly 150 episodes before stepping into a larger role heading up Production Design, where he did at least another 150 episodes before deciding it was time to return home to Lander to help care for his aging parents.

The schedule for the show was relentless. A typical episode was shot in about 10 days, but a new shoot started every eight days. 

“So you’d have a crossover of double days where you’d have two film crews and sometimes more,” he said. “So you might have one crew out on location, one crew on this stage, or this crew’s on this stage, and their next set’s being finalized here.”

With seven sound stages, that gave Harms just enough room to stay ahead of an ambitious shooting schedule set up like a series of dominos. Tip one over, and they’d all fall down.

“These were massive, massive spaces with  multiple sets on stage,” he said. “So the moving pieces — it’s enormous.”

Bacon’s not the only ultra famous star Harms worked with during his long-running Hollywood career. 

“You never knew who might walk onto the set,” Harms said. “So one day, I walk in and there’s Lenny Kravitz sitting in the director’s chair.”

Kravitz is a Grammy-award winning American singer, songwriter, multi-instrumentalist and actor.

Harms couldn’t resist saying, “Hey, you’re Lenny Kravitz!”

[{"type":"text","marks":[{"type":"textStyle"}],"text":"Kravitz said simply, “I know.”"}]

Another person he saw frequently was Debbie Allen’s sister, Phylicia Rashad, best known for her iconic role as Clair Huxtable on The Cosby Show.

Brian Harms is a Lander native who spent 13 years designing the look of TV's hugely popular "Grey's Anatomy." Harms, who recently bought the Lander Bake Shop, has dozens of other film and TV credits to his name in his 20-plus-year Hollywood career.

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